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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later founded the pioneering techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of health issues.

"I ended up injure myself significantly," he stated in 2023. "I fractured lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

Following contracting a lung infection and developing sepsis, he was put in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we literally completed only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from joining a band, the bond is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, alongside his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Inspired by a shared love of a music genre, they formed Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The duo were an distinctive pairing: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant showman, all glitter and makeup; but they attained a rare creative synergy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk perform on a television science show Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Tainted Love became the United Kingdom's second most popular single of the early 80s, selling millions of units worldwide. Alongside hits by other artists, contemporary bands and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing new material until just before Ball's passing

Professional Journey

Fame had its benefits. "I loved being able to purchase my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a music magazine.

But it also presented challenges. "Sudden riches meant we could purchase newfound drugs to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's upcoming release as a homage to the New York club scene they visited while recording their first two albums.

He added that his period in medical care had influenced the group's music.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the sounds in my head from that time.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were completed only a short time before Ball passed away. It is due for release in the spring of 2026.

By

Paula Carter

An experienced educator and researcher passionate about marine sciences and student development.

Ocean University

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